Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Still life of red and white grapes,peaches and plums,on a stone ledge

ID: 27393

unknow artist Still life of red and white grapes,peaches and plums,on a stone ledge
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unknow artist Still life of red and white grapes,peaches and plums,on a stone ledge


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unknow artist

  Related Paintings of unknow artist :. | Lautrec-s Still Life with Billiards | The Bridge at Remich | Portrait of Jakub Sobieski, castellan of Krakow. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 125 | Arab or Arabic people and life. Orientalism oil paintings 571 |
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Master of the Life of Saint John the Baptist
Italian Byzantine Style Painter, 14th Century
Adrian Ludwig Richter
German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
Meulen, Steven van der
Flemish Northern Renaissance Painter, active 1543-1568 Netherlandish painter active in England. He was a pupil of Willem van Cleve the younger (c. 1530-1564) in 1543 and was admitted to the Antwerp Guild of St Luke in 1552; by 1560 he had travelled to London, and he was naturalized in 1562. Van der Meulen brought with him a deep knowledge of the portrait style of Anthonis Mor. This sombre, shadowed style appealed to patrons at the English court who could not travel to Antwerp to sit to the greater artist. Early in 1561 an English merchant, John Dymoch, had visited Sweden in connection with negotiations for a marriage between Queen Elizabeth and Erik XIV, taking with him a Netherlandish painter described as 'Master Staffan', and it seems likely that this was van der Meulen. The King was much pleased with the resulting portrait of himself, for which he paid 100 daler






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